XR works made with artists, galleries and museums
Incheon Art Platform
A participatory XR workshop. Visitors wipe away salt on a phone screen to uncover data about Incheon, then turn the data they collect into a universe of their own. Each universe joins a shared screen, “Our Universe”, and unfolds around the body in Apple Vision Pro.
Incheon Art Platform, Citizen Lounge
Footprints of Connection: An Ice Road and a Grain of Salt is a citizen-participation XR experience. A polar bear is stranded on melting ice, and visitors reconnect its path through small actions: clearing trash and plastic, switching off lights. The ice road grows back and the bear walks across it.
Lee Youngho · Incheon Art Platform
White Extraction: From Salt Mountain to Data Mountain is a spatial XR work linking the labour of resource extraction with the labour of data extraction. The viewer’s wiping gestures shape the digital forms, and the experience moves from a salt landscape laid over the real room into a fully virtual space where hidden labour becomes visible.
Gyeongbuk Art Association · Gallery Gyeongbuk
An immersive XR exhibition of 305 works from the Gyeongbuk Art Market, viewed in Apple Vision Pro. Visitors move between day, night and the real room through five sections in auto-play, and can jump between sections or zoom in to study texture and detail.
Kim Sunhwa · Guri Art Hall
An exhibition-format XR piece that follows a series of paintings. Visitors follow a blue light path on the floor to each work, where narration, subtitles, nature layers and spatial staging carry a single story of recovery.
Cho Youngin · Gallery di Arte, Cheongdam
Put on Vision Pro in front of the painting Ascesis and its world extends into the real gallery. From where they stand, viewers experience an XR narrative combining subtitles, narration, 3D objects and spatial staging.
Kim Mihyun · Elfin Art Cube
An XR intro at the exhibition entrance. Through a locked room, Duckie, drawing, stairs and sky, it shapes the visitor’s emotional entry before they step into the artist’s paintings.
Jeong Yehyeon · Submitted to DOK Leipzig
Inside a sealed lift, a rumour becomes real. Viewers live through a 6-minute-20-second descending horror story: an old elevator, warning signs, a creature, and finally the rooftop.
INTERACTIVE / PROJECTION
Interactive media that reads visitors’ movement through a camera, and large projections spanning three walls. Many people can take part at once without a headset, which suits galleries, lobbies and festivals.
WEB / GAME / DATA
Browser-only experiences, such as a claw-machine game played from your phone, plus archive films that turn each visitor’s movement data into a film of their own. We also build the operations page that lets on-site staff check device status from a phone.